7

Of things that come to be, some come to be by nature, some by art, some spontaneously. Now everything that comes to be comes to be by the agency of something and from something and comes to be something. And the something which I say it comes to be may be found in any category; it may come to be either a ‘this’ or of some size or of some quality or somewhere.

Now natural comings to be are the comings to be of those things which come to be by nature; and that out of which they come to be is what we call matter; and that by which they come to be is something which exists naturally; and the something which they come to be is a man or a plant or one of the things of this kind, which we say are substances if anything is-all things produced either by nature or by art have matter; for each of them is capable both of being and of not being, and this capacity is the matter in each-and, in general, both that from which they are produced is nature, and the type according to which they are produced is nature (for that which is produced, e.g. a plant or an animal, has a nature), and so is that by which they are produced — the so-called ‘formal’ nature, which is specifically the same (though this is in another individual); for man begets man.

Thus, then, are natural products produced; all other productions are called ‘makings’. And all makings proceed either from art or from a faculty or from thought. Some of them happen also spontaneously or by luck just as natural products sometimes do; for there also the same things sometimes are produced without seed as well as from seed. Concerning these cases, then, we must inquire later, but from art proceed the things of which the form is in the soul of the artist. (By form I mean the essence of each thing and its primary substance.) For even contraries have in a sense the same form; for the substance of a privation is the opposite substance, e.g. health is the substance of disease (for disease is the absence of health); and health is the formula in the soul or the knowledge of it. The healthy subject is produced as the result of the following train of thought:-since this is health, if the subject is to be healthy this must first be present, e.g. a uniform state of body, and if this is to be present, there must be heat; and the physician goes on thinking thus until he reduces the matter to a final something which he himself can produce. Then the process from this point onward, i.e. the process towards health, is called a ‘making’. Therefore it follows that in a sense health comes from health and house from house, that with matter from that without matter; for the medical art and the building art are the form of health and of the house, and when I speak of substance without matter I mean the essence.

Of the productions or processes one part is called thinking and the other making,-that which proceeds from the starting-point and the form is thinking, and that which proceeds from the final step of the thinking is making. And each of the other, intermediate, things is produced in the same way. I mean, for instance, if the subject is to be healthy his bodily state must be made uniform. What then does being made uniform imply? This or that. And this depends on his being made warm. What does this imply? Something else. And this something is present potentially; and what is present potentially is already in the physician’s power.

The active principle then and the starting point for the process of becoming healthy is, if it happens by art, the form in the soul, and if spontaneously, it is that, whatever it is, which starts the making, for the man who makes by art, as in healing the starting-point is perhaps the production of warmth (and this the physician produces by rubbing). Warmth in the body, then, is either a part of health or is followed (either directly or through several intermediate steps) by something similar which is a part of health; and this, viz. that which produces the part of health, is the limiting-point — and so too with a house (the stones are the limiting-point here) and in all other cases. Therefore, as the saying goes, it is impossible that anything should be produced if there were nothing existing before. Obviously then some part of the result will pre-exist of necessity; for the matter is a part; for this is present in the process and it is this that becomes something. But is the matter an element even in the formula? We certainly describe in both ways what brazen circles are; we describe both the matter by saying it is brass, and the form by saying that it is such and such a figure; and figure is the proximate genus in which it is placed. The brazen circle, then, has its matter in its formula.

As for that out of which as matter they are produced, some things are said, when they have been produced, to be not that but ‘thaten’; e.g. the statue is not gold but golden. And a healthy man is not said to be that from which he has come. The reason is that though a thing comes both from its privation and from its substratum, which we call its matter (e.g. what becomes healthy is both a man and an invalid), it is said to come rather from its privation (e.g. it is from an invalid rather than from a man that a healthy subject is produced). And so the healthy subject is not said to he an invalid, but to be a man, and the man is said to be healthy. But as for the things whose privation is obscure and nameless, e.g. in brass the privation of a particular shape or in bricks and timber the privation of arrangement as a house, the thing is thought to be produced from these materials, as in the former case the healthy man is produced from an invalid. And so, as there also a thing is not said to be that from which it comes, here the statue is not said to be wood but is said by a verbal change to be wooden, not brass but brazen, not gold but golden, and the house is said to be not bricks but bricken (though we should not say without qualification, if we looked at the matter carefully, even that a statue is produced from wood or a house from bricks, because coming to be implies change in that from which a thing comes to be, and not permanence). It is for this reason, then, that we use this way of speaking.

8

Since anything which is produced is produced by something (and this I call the starting-point of the production), and from something (and let this be taken to be not the privation but the matter; for the meaning we attach to this has already been explained), and since something is produced (and this is either a sphere or a circle or whatever else it may chance to be), just as we do not make the substratum (the brass), so we do not make the sphere, except incidentally, because the brazen sphere is a sphere and we make the forme. For to make a ‘this’ is to make a ‘this’ out of the substratum in the full sense of the word. (I mean that to make the brass round is not to make the round or the sphere, but something else, i.e. to produce this form in something different from itself. For if we make the form, we must make it out of something else; for this was assumed. E.g. we make a brazen sphere; and that in the sense that out of this, which is brass, we make this other, which is a sphere.) If, then, we also make the substratum itself, clearly we shall make it in the same way, and the processes of making will regress to infinity. Obviously then the form also, or whatever we ought to call the shape present in the sensible thing, is not produced, nor is there any production of it, nor is the essence produced; for this is that which is made to be in something else either by art or by nature or by some faculty. But that there is a brazen sphere, this we make. For we make it out of brass and the sphere; we bring the form into this particular matter, and the result is a brazen sphere. But if the essence of sphere in general is to be produced, something must be produced out of something. For the product will always have to be divisible, and one part must be this and another that; I mean the one must be matter and the other form. If, then, a sphere is ‘the figure whose circumference is at all points equidistant from the centre’, part of this will be the medium in which the thing made will be, and part will be in that medium, and the whole will be the thing produced, which corresponds to the brazen sphere. It is obvious, then, from what has been said, that that which is spoken of as form or substance is not produced, but the concrete thing which gets its name from this is produced, and that in everything which is generated matter is present, and one part of the thing is matter and the other form.

Is there, then, a sphere apart from the individual spheres or a house apart from the bricks? Rather we may say that no ‘this’ would ever have been coming to be, if this had been so, but that the ‘form’ means the ‘such’, and is not a ‘this’-a definite thing; but the artist makes, or the father begets, a ‘such’ out of a ‘this’; and when it has been begotten, it is a ‘this such’. And the whole ‘this’, Callias or Socrates, is analogous to ‘this brazen sphere’, but man and animal to ‘brazen sphere’ in general. Obviously, then, the cause which consists of the Forms (taken in the sense in which some maintain the existence of the Forms, i.e. if they are something apart from the individuals) is useless, at least with regard to comings-to-be and to substances; and the Forms need not, for this reason at least, be self-subsistent substances. In some cases indeed it is even obvious that the begetter is of the same kind as the begotten (not, however, the same nor one in number, but in form), i.e. in the case of natural products (for man begets man), unless something happens contrary to nature, e.g. the production of a mule by a horse. (And even these cases are similar; for that which would be found to be common to horse and ass, the genus next above them, has not received a name, but it would doubtless be both in fact something like a mule.) Obviously, therefore, it is quite unnecessary to set up a Form as a pattern (for we should have looked for Forms in these cases if in any; for these are substances if anything is so); the begetter is adequate to the making of the product and to the causing of the form in the matter. And when we have the whole, such and such a form in this flesh and in these bones, this is Callias or Socrates; and they are different in virtue of their matter (for that is different), but the same in form; for their form is indivisible.

9

The question might be raised, why some things are produced spontaneously as well as by art, e.g. health, while others are not, e.g. a house. The reason is that in some cases the matter which governs the production in the making and producing of any work of art, and in which a part of the product is present,-some matter is such as to be set in motion by itself and some is not of this nature, and of the former kind some can move itself in the particular way required, while other matter is incapable of this; for many things can be set in motion by themselves but not in some particular way, e.g. that of dancing. The things, then, whose matter is of this sort, e.g. stones, cannot be moved in the particular way required, except by something else, but in another way they can move themselves-and so it is with fire. Therefore some things will not exist apart from some one who has the art of making them, while others will; for motion will be started by these things which have not the art but can themselves be moved by other things which have not the art or with a motion starting from a part of the product.

And it is clear also from what has been said that in a sense every product of art is produced from a thing which shares its name (as natural products are produced), or from a part of itself which shares its name (e.g. the house is produced from a house, qua produced by reason; for the art of building is the form of the house), or from something which contains a art of it,-if we exclude things produced by accident; for the cause of the thing’s producing the product directly per se is a part of the product. The heat in the movement caused heat in the body, and this is either health, or a part of health, or is followed by a part of health or by health itself. And so it is said to cause health, because it causes that to which health attaches as a consequence.

Therefore, as in syllogisms, substance is the starting-point of everything. It is from ‘what a thing is’ that syllogisms start; and from it also we now find processes of production to start.

Things which are formed by nature are in the same case as these products of art. For the seed is productive in the same way as the things that work by art; for it has the form potentially, and that from which the seed comes has in a sense the same name as the offspring only in a sense, for we must not expect parent and offspring always to have exactly the same name, as in the production of ‘human being’ from ‘human’ for a ‘woman’ also can be produced by a ‘man’-unless the offspring be an imperfect form; which is the reason why the parent of a mule is not a mule. The natural things which (like the artificial objects previously considered) can be produced spontaneously are those whose matter can be moved even by itself in the way in which the seed usually moves it; those things which have not such matter cannot be produced except from the parent animals themselves.

But not only regarding substance does our argument prove that its form does not come to be, but the argument applies to all the primary classes alike, i.e. quantity, quality, and the other categories. For as the brazen sphere comes to be, but not the sphere nor the brass, and so too in the case of brass itself, if it comes to be, it is its concrete unity that comes to be (for the matter and the form must always exist before), so is it both in the case of substance and in that of quality and quantity and the other categories likewise; for the quality does not come to be, but the wood of that quality, and the quantity does not come to be, but the wood or the animal of that size. But we may learn from these instances a peculiarity of substance, that there must exist beforehand in complete reality another substance which produces it, e.g. an animal if an animal is produced; but it is not necessary that a quality or quantity should pre-exist otherwise than potentially.