Anyone who has been following the news over the past few years has seen stories that suggest the narrative of this novel, recast by my imagination. Into that I have worked other influences such as critical trauma theory, the pop culture and postfeminism of the early aughts, and my own complicated feelings toward Lolita. All of that is the normal process of fiction writing. But in a surfeit of caution it bears repeating that nothing in the novel is intended as recounting any actual events. Apart from the broad parallels noted above, this is not my personal story nor that of my teachers or of anyone I know.
For the real-life Dolores Hazes and Vanessa Wyes whose stories have not yet been heard, believed, or understood