CHAPTER SEVEN
G.S.O.H.
THURSDAY 15 JULY 1993,
Part Two – Emma’s Story
Covent Garden and King’s Cross
Ian Whitehead sat alone at a table for two in the Covent Garden branch of Forelli’s, and checked his watch: fifteen minutes late, but he imagined that this was part of the exquisite game of cat-and-mouse that is dating. Well, let the games commence. He dunked his ciabatta in the little dish of olive oil as if loading a paintbrush, opened the menu and worked out what he could afford to eat.
Life as a stand-up comedian had yet to bring the wealth and TV exposure that it had once promised. The Sunday papers weekly proclaimed that comedy was the new rock and roll, so why was he still hustling for open-mike spots at Sir Laffalots on Tuesday nights? He had adapted his material to fit with current fashions, pulling back on the political and observational material and trying out character-comedy, surrealism, comic songs and sketches. Nothing seemed to raise a laugh. A detour into a more confrontational style had led to him being punched and kicked, and his residency with a Sunday night improv comedy team had proved only that he could be unfunny in an entirely unplanned, spontaneous way. Yet still he soldiered on, up and down the Northern Line, round and round the Circle, in search of the big laughs.
Perhaps there was something about the name ‘Ian Whitehead’ that made it resistant to being spelt out in lightbulbs. He had even considered changing it to something punchy, boysy and monosyllabic – Ben or Jack or Matt – but until he found his comic persona he had taken a job in Sonicotronics, an electronics shop on Tottenham Court Road where unhealthy young men in t-shirts sold ROM and graphics cards to unhealthy young men in t-shirts. The money wasn’t great, but his evenings were free for gigs, and he frequently cracked up his co-workers with new material.
But the best, the very best thing about Sonicotronics was that during his lunch break he had bumped into Emma Morley. He had been standing outside the offices of the Church of Scientology, debating whether or not to take the personality test, when he saw her, almost obscured by a huge wicker laundry basket, and as he threw his arms around her Tottenham Court Road was lit by glory and transformed into a street of dreams.
Date number two, and here he was in a sleek modern Italian near Covent Garden. Ian’s personal tastes tended towards the hot and spicy, salty and crispy, and he would have preferred a curry. But he was wise enough in the vagaries of womankind to know that she would be expecting fresh vegetables. He checked his watch again – twenty minutes late – and felt a pang of longing in his stomach that was partly hunger, partly love. For years now his heart and stomach had been heavy with love for Emma Morley, and not just sentimental platonic love, but a carnal desire too. All these years later he still carried with him, would carry for life, the image of her standing in mismatched underwear in the staffroom of Loco Caliente, illuminated by a shaft of afternoon sun like the light in a cathedral, as she yelled at him to get out and shut the bloody door.
Unaware that he was thinking of her underwear, Emma Morley stood watching Ian from the maître d’s station and noted that he was definitely better looking these days. The crown of tight fair curls had gone, trimmed short now and slicked slightly with a little wax, he had lost that new-boy-in-the-city look. In fact, if it weren’t for the terrible clothes and the way his mouth hung open, he would actually be attractive.
Although the situation was unusual for her, she recognised this as a classic date restaurant – just expensive enough, not too bright, not pretentious but not cheap either, the kind of place where they put rocket on the pizzas. The place was corny but not ridiculous and at least it was not a curry or, God forbid, a fish burrito. There were palm trees and candles and in the next room an elderly man played Gershwin favourites on a grand piano: ‘I hope that he/turns out to be/someone to watch over me.’
‘Are you with someone?’ asked the maître d’.
‘That man over there.’
On their first date he had taken her to see Evil Dead III, The Medieval Dead at the Odeon on the Holloway Road. Neither squeamish nor a snob, Emma enjoyed a horror film more than most women, but even so she had thought this a strange, curiously confident choice. Three Colours Blue was playing at the Everyman, but here she was, watching a man with a chainsaw for an arm, and finding it strangely refreshing. Conventionally, she had expected to be taken to a restaurant afterwards but for Ian it seemed a trip to the cinema wasn’t complete without a three-course meal thrown in. He contemplated the concession stand as if were an à la carte menu, choosing nachos to begin with, a hot-dog for the entrée, Revels for dessert, his palette cleansed with a pail of iced Lilt the size of a human torso, so that the Evil Dead III’s few meditative scenes were accompanied by the warm tropical hiss of Ian belching into his fist.
And yet despite all this – the love of ultra-violence and salty foods, the mustard on his chin – Emma had enjoyed herself more than she had expected. On the way to the pub he had changed sides on the pavement so that she wouldn’t get hit by a runaway bus – a weirdly old-fashioned gesture that she’d never been subject to before – and they discussed the special effects, the beheadings and eviscerations, Ian declaring, after some analysis, that it was the best of the ‘Dead’ trilogy. Trilogies and box-sets, comedy and horror loomed large in Ian’s cultural life, and in the pub they’d had an interesting debate about whether a graphic novel could ever have as much depth and meaning as, say, Middlemarch. Protective, attentive, he was like an older brother who knew about lots of really cool stuff, the difference being that he clearly wanted to sleep with her. So intent, so doting was his gaze that she frequently found herself feeling for something on her face.
That was how he grinned at her now, in the restaurant, standing with such enthusiasm that he knocked the table with his thighs, spilling tap water onto the complimentary olives.
‘Shall I get a cloth?’ she said.
‘No, it’s alright, I’ll use my jacket.’
‘Don’t use your jacket, here – here’s my napkin.’
‘Well I’ve fucked the olives. Not literally I might hasten to add!’
‘Oh. Right. Okay.’
‘Joke!’ he bellowed, as if shouting ‘Fire!’ He hadn’t been this nervous since the last disastrous night at the improv, and he firmly told himself to calm down as he blotted at the tablecloth, glancing upwards to see Emma wriggling out of her summer jacket, pushing her shoulders back and her chest forward in that way that women do without realising the ache they cause. There it was, the evening’s second great bubble of love and desire for Emma Morley. ‘You look so lovely,’ he blurted, unable to contain himself.
‘Thank you! You too,’ she said reflexively. He wore the stand-up comic’s uniform of a crumpled linen jacket over a plain black t-shirt. In honour of Emma, there were no band names or ironic remarks: dressy then. ‘I like this,’ she said, indicating the jacket. ‘Pretty sharp!’ and Ian rubbed his lapel between finger and thumb as if saying ‘what, this old thing?’
‘Can I take your jacket?’ said the waiter, sleek and handsome.
‘Yes, thank you.’ Emma handed it over, and Ian imagined he’d have to tip for it later. Never mind. She was worth it.
‘Any drinks?’ asked the waiter.
‘You know, I think I’d like a vodka and tonic.’
‘A double?’ said the waiter, tempting her into further expense.
She looked to Ian and saw a flicker of panic cross his face. ‘Is that reckless?’
‘No, you go on.’
‘Okay, a double!’
‘You, sir?’
‘I’ll wait for the wine, thank you.’
‘Mineral water?’
‘TAP WATER!’ he yelled, then, calmer, ‘Tap water’s fine, unless you . . .’
‘Tap water’s fine,’ Emma smiled reassuringly. The waiter left. ‘And by the way, this goes without saying, but we are going dutch tonight, okay? No arguments. It’s 1993 for crying out loud,’ and Ian found himself loving her even more. For form’s sake, he thought he had better put on a show.
‘But you’re a student, Em!’
‘Not anymore. I am now a fully qualified teacher! I had my first job interview today.’
‘And how did it go?’
‘Really, really well!’
‘Congratulations, Em, that’s fantastic,’ and he threw himself across the table to kiss her on the cheek, no, both cheeks, no, hang on, just the one cheek, no, okay both cheeks.
The menu had been prepped in advance for humour, and while Emma tried to concentrate, Ian went into his act and ran through some of the choicer puns: penne for your thoughts, etc. The presence of grilled sea bass allowed him to do the one about how you wait ages for one bass, then three come along at the same time, and was this a minute steak or a mine-ute, like a really, really small steak? and what was it with ‘ragu’ these days, when did good old spag bol become ‘ragu’? What, he speculated, would they, like, call ‘alphabetti spaghetti?’ Moist alphabetical forms in a sauce rouge? Or what?
As line followed line, Emma felt her hopes for the evening fade. He is trying to laugh me into bed, she thought, when in fact what he is really doing is laughing me onto the tube home. In the cinema there had at least been the Revels and the violence to distract him, but here, face to face, there was nothing but a compulsion to riff. Emma got this a lot. The boys on her PGCE course were all pro-am gagsters, especially in the pub after a few pints, and while it drove her crazy she knew that she encouraged it too, the girls sitting and grinning while the boys did tricks with matchsticks and jammed on Children’s TV or Forgotten Confectionery of the Seventies. Spangles Disease, the maddening non-stop cabaret of boys in pubs.
She gulped down her vodka. Ian had the wine list now, and was doing his schtick about how snooty wine is: a voluptuous mouthful of forest fire with a back note of exploding toffee apple etc. The C-major scale of the amateur stand-up, this routine had the potential to be infinite, and Emma found herself trying to imagine a notional man, a fantastical figure who didn’t make a big deal about it, just looked at the wine list and ordered, unpretentiously but with authority.
‘ . . . flavours of smoky bacon Wotsits with a succulent back note of giraffe . . .’
He’s laughing me into a stupor, she thought. I could heckle, I suppose, I could throw a bread roll at him, but he’s eaten them all. She glanced at the other diners, all of them going into their act, and thought is this what it all boils down to? Romantic love, is this all it is, a talent show? Eat a meal, go to bed, fall in love with me and I promise you years and years of top notch material like this?
‘ . . . imagine if they sold lager this way?’ A Glaswegian accent. ‘Our Special Brew sits heavy on the palate, with a strong hint of council estate, old shopping trolley and urban decay. Goes particularly well with domestic violence! . . .’
She wondered where the fallacy had come from, that there was something irresistible about funny men; Cathy doesn’t long for Heathcliff because he’s a really great laugh, and what was all the more galling about this barrage was that she actually quite liked Ian, had set out with high hopes and even some excitement about seeing him again, but instead he was saying . . .
‘ . . . our orange juice is orange with a heavy bass note of oranges . . .’
Right, that’s enough now.
‘ . . . squeezed, no, seduced from the teets of cows, the 1989 vintage milk has a distinctive milkiness . . .’
‘Ian?’
‘What?’
‘Shut up, will you?’
A silence followed, with Ian looking hurt and Emma feeling embarrassed. It must have been that double vodka. To cover it up, she said loudly, ‘How about we just get Valpolicella?’
He consulted the menu. ‘Blackberries and vanilla, it says here.’
‘Perhaps they write that because the wine tastes a bit of blackberries and vanilla?’
‘Do you like blackberries and vanilla?’
‘I love them.’
His eyes flicked to the price. ‘Then let’s get it then!’
And after that, thank God, things began to get a little better.
Hi, Em. Me again. I know you’re out on the town with Laughing Boy, but I just wanted to say that when you get in, assuming you’re alone, I’ve decided not to go the premiere after all. I’m home all night, if you want to come round. I mean, I’d like that. I’ll pay for your taxi, you could stay over. So. Anytime you come in, just give me a call, then get in a cab. That’s all. Hope to see you later. Love and all that. Bye, Em. Bye.
They reminisced about the old times, all of three years ago. While Emma had the soup then fish, Ian had gone for a medley of carbohydrates, starting with an immense bowl of meaty pasta which he buried between snow banks of parmesan. This and the red wine had sedated him a little, and Emma had relaxed too, was in fact well on her way to drunkenness. And why not? Didn’t she deserve it? The last ten months had been spent working hard at something she believed in, and though some of the teaching placements had been frankly terrifying, she was clear-sighted enough to realise she was good at it. At her interview this afternoon they had obviously felt the same way, the headmaster nodding and smiling in approval, and though she didn’t dare say it out loud, she knew that she had the job.
So why not celebrate with Ian? As he talked, she scrutinised his face and decided that he was definitely more attractive than he used to be; looking at him, she no longer thought of tractors. There was nothing refined or delicate about him; if you were casting a war film, he’d be the plucky Tommy maybe, writing letters to his mum, while Dexter would be – what? An effete Nazi. Even so, she liked the way he looked at her. Fond, that was the word. Fond and drunk, and she too felt heavy-limbed and sultry and fond of him in return.
He poured the last of the wine into her glass. ‘So do you see any of the old gang?’
‘Not really. I bumped into Scott once, in Hail Caesar’s, that awful Italian. He was fine, still angry. Apart from that, I try to avoid it. It’s a bit like prison – best not to associate with the old lags. Except you of course.’
‘It wasn’t that bad, was it? Working there?’
‘Well it’s two years of my life I’ll never get back.’ Spoken aloud, the observation shocked her but she shrugged it away. ‘I don’t know, I suppose it wasn’t a very happy time, that’s all.’
He smiled ruefully and nudged her knuckles with his. ‘That why you didn’t answer my phone-calls?’
‘Didn’t I? I don’t know, maybe.’ She raised the glass to her lips. ‘We’re here now. Let’s change the subject. How’s the stand-up career going?’
‘Oh, alright. I’ve got this improv gig which is real seat-of-the-pants stuff, really unpredictable. Sometimes I’m just not funny at all! But I suppose that’s the joy of improv, isn’t it?’ Emma wasn’t sure that this was true, but nodded just the same. ‘And I do this Tuesday night gig at Mr Chuckles in Kennington. It’s a bit more hard-edged, more topical. Like I do this kind of Bill Hicks thing about advertising? Like the stupid adverts on TV? . . .’
He slipped into his routine and Emma freeze-framed her smile. It would kill him to say it but in all the time she had known Ian he had caused her to laugh perhaps twice, and one of those was when he fell down the cellar stairs. He was a man with a great sense of humour while at the same time being in no way funny. Unlike Dexter: Dexter had no interest at all in jokes, probably thought that a sense of humour, like a political conscience, was a little embarrassing and un-cool, and yet with Dexter she laughed all the time, hysterically, sometimes, frankly, until she peed a little. On holiday in Greece, they had laughed for ten days straight, once they’d settled that little misunderstanding. Where was Dexter right now? she wondered.