The baron, followed by the count, traversed a long series of apartments, in which the prevailing characteristics were heavy magnificence and the gaudiness of ostentatious wealth, until he reached the boudoir of Madame Danglars—a small octagonal-shaped room, hung with pink satin, covered with white Indian muslin. The chairs were of ancient workmanship and materials; over the doors were painted sketches of shepherds and shepherdesses, after the style and manner of Boucher; and at each side pretty medallions in crayons, harmonizing well with the furnishings of this charming apartment, the only one throughout the great mansion in which any distinctive taste prevailed. The truth was, it had been entirely overlooked in the plan arranged and followed out by M. Danglars and his architect, who had been selected to aid the baron in the great work of improvement solely because he was the most fashionable and celebrated decorator of the day. The decorations of the boudoir had then been left entirely to Madame Danglars and Lucien Debray. M. Danglars, however, while possessing a great admiration for the antique, as it was understood during the time of the Directory, entertained the most sovereign contempt for the simple elegance of his wife’s favorite sitting-room, where, by the way, he was never permitted to intrude, unless, indeed, he excused his own appearance by ushering in some more agreeable visitor than himself; and even then he had rather the air and manner of a person who was himself introduced, than that of being the presenter of another, his reception being cordial or frigid, in proportion as the person who accompanied him chanced to please or displease the baroness.
Madame Danglars (who, although past the first bloom of youth, was still strikingly handsome) was now seated at the piano, a most elaborate piece of cabinet and inlaid work, while Lucien Debray, standing before a small work-table, was turning over the pages of an album. Lucien had found time, preparatory to the count’s arrival, to relate many particulars respecting him to Madame Danglars. It will be remembered that Monte Cristo had made a lively impression on the minds of all the party assembled at the breakfast given by Albert de Morcerf; and although Debray was not in the habit of yielding to such feelings, he had never been able to shake off the powerful influence excited in his mind by the impressive look and manner of the count, consequently the description given by Lucien to the baroness bore the highly-colored tinge of his own heated imagination. Already excited by the wonderful stories related of the count by De Morcerf, it is no wonder that Madame Danglars eagerly listened to, and fully credited, all the additional circumstances detailed by Debray. This posing at the piano and over the album was only a little ruse adopted by way of precaution. A most gracious welcome and unusual smile were bestowed on M. Danglars; the count, in return for his gentlemanly bow, received a formal though graceful courtesy, while Lucien exchanged with the count a sort of distant recognition, and with Danglars a free and easy nod.
“Baroness,” said Danglars, “give me leave to present to you the Count of Monte Cristo, who has been most warmly recommended to me by my correspondents at Rome. I need but mention one fact to make all the ladies in Paris court his notice, and that is, that he has come to take up his abode in Paris for a year, during which brief period he proposes to spend six millions of money. That means balls, dinners, and lawn parties without end, in all of which I trust the count will remember us, as he may depend upon it we shall him, in our own humble entertainments.” In spite of the gross flattery and coarseness of this address, Madame Danglars could not forbear gazing with considerable interest on a man capable of expending six millions in twelve months, and who had selected Paris for the scene of his princely extravagance. “And when did you arrive here?” inquired she.
“Yesterday morning, madame.”
“Coming, as usual, I presume, from the extreme end of the globe? Pardon me—at least, such I have heard is your custom.”
“Nay, madame. This time I have merely come from Cadiz.”
“You have selected a most unfavorable moment for your first visit. Paris is a horrible place in summer. Balls, parties, and fetes are over; the Italian opera is in London; the French opera everywhere except in Paris. As for the Theatre Francais, you know, of course, that it is nowhere. The only amusements left us are the indifferent races at the Champ de Mars and Satory. Do you propose entering any horses at either of these races, count?”
“I shall do whatever they do at Paris, madame, if I have the good fortune to find some one who will initiate me into the prevalent ideas of amusement.”
“Are you fond of horses, count?”
“I have passed a considerable part of my life in the East, madame, and you are doubtless aware that the Orientals value only two things—the fine breeding of their horses and the beauty of their women.”
“Nay, count,” said the baroness, “it would have been somewhat more gallant to have placed the ladies first.”
“You see, madame, how rightly I spoke when I said I required a preceptor to guide me in all my sayings and doings here.” At this instant the favorite attendant of Madame Danglars entered the boudoir; approaching her mistress, she spoke some words in an undertone. Madame Danglars turned very pale, then exclaimed,—”I cannot believe it; the thing is impossible.”
“I assure you, madame,” replied the woman, “it is as I have said.” Turning impatiently towards her husband, Madame Danglars demanded, “Is this true?”
“Is what true, madame?” inquired Danglars, visibly agitated.
“What my maid tells me.”
“But what does she tell you?”
“That when my coachman was about to harness the horses to my carriage, he discovered that they had been removed from the stables without his knowledge. I desire to know what is the meaning of this?”
“Be kind enough, madame, to listen to me,” said Danglars.
“Oh, yes; I will listen, monsieur, for I am most curious to hear what explanation you will give. These two gentlemen shall decide between us; but, first, I will state the case to them. Gentlemen,” continued the baroness, “among the ten horses in the stables of Baron Danglars, are two that belong exclusively to me—a pair of the handsomest and most spirited creatures to be found in Paris. But to you, at least, M. Debray, I need not give a further description, because to you my beautiful pair of dappled grays were well known. Well, I had promised Madame de Villefort the loan of my carriage to drive to-morrow to the Bois; but when my coachman goes to fetch the grays from the stables they are gone—positively gone. No doubt M. Danglars has sacrificed them to the selfish consideration of gaining some thousands of paltry francs. Oh, what a detestable crew they are, these mercenary speculators!”
“Madame,” replied Danglars, “the horses were not sufficiently quiet for you; they were scarcely four years old, and they made me extremely uneasy on your account.”
“Nonsense,” retorted the baroness; “you could not have entertained any alarm on the subject, because you are perfectly well aware that I have had for a month in my service the very best coachman in Paris. But, perhaps, you have disposed of the coachman as well as the horses?”
“My dear love, pray do not say any more about them, and I promise you another pair exactly like them in appearance, only more quiet and steady.” The baroness shrugged her shoulders with an air of ineffable contempt, while her husband, affecting not to observe this unconjugal gesture, turned towards Monte Cristo and said,—”Upon my word, count, I am quite sorry not to have met you sooner. You are setting up an establishment, of course?”
“Why, yes,” replied the count.
“I should have liked to have made you the offer of these horses. I have almost given them away, as it is; but, as I before said, I was anxious to get rid of them upon any terms. They were only fit for a young man.”
“I am much obliged by your kind intentions towards me,” said Monte Cristo; “but this morning I purchased a very excellent pair of carriage-horses, and I do not think they were dear. There they are. Come, M. Debray, you are a connoisseur, I believe, let me have your opinion upon them.” As Debray walked towards the window, Danglars approached his wife. “I could not tell you before others,” said he in a low tone, “the reason of my parting with the horses; but a most enormous price was offered me this morning for them. Some madman or fool, bent upon ruining himself as fast as he can, actually sent his steward to me to purchase them at any cost; and the fact is, I have gained 16,000 francs by the sale of them. Come, don’t look so angry, and you shall have 4,000 francs of the money to do what you like with, and Eugenie shall have 2,000. There, what do you think now of the affair? Wasn’t I right to part with the horses?” Madame Danglars surveyed her husband with a look of withering contempt.
“Great heavens?” suddenly exclaimed Debray.
“What is it?” asked the baroness.
“I cannot be mistaken; there are your horses! The very animals we were speaking of, harnessed to the count’s carriage!”
“My dappled grays?” demanded the baroness, springing to the window. “‘Tis indeed they!” said she. Danglars looked absolutely stupefied. “How very singular,” cried Monte Cristo with well-feigned astonishment.
“I cannot believe it,” murmured the banker. Madame Danglars whispered a few words in the ear of Debray, who approached Monte Cristo, saying, “The baroness wishes to know what you paid her husband for the horses.”
“I scarcely know,” replied the count; “it was a little surprise prepared for me by my steward, and cost me—well, somewhere about 30,000 francs.” Debray conveyed the count’s reply to the baroness. Poor Danglars looked so crest-fallen and discomfited that Monte Cristo assumed a pitying air towards him. “See,” said the count, “how very ungrateful women are. Your kind attention, in providing for the safety of the baroness by disposing of the horses, does not seem to have made the least impression on her. But so it is; a woman will often, from mere wilfulness, prefer that which is dangerous to that which is safe. Therefore, in my opinion, my dear baron, the best and easiest way is to leave them to their fancies, and allow them to act as they please, and then, if any mischief follows, why, at least, they have no one to blame but themselves.” Danglars made no reply; he was occupied in anticipations of the coming scene between himself and the baroness, whose frowning brow, like that of Olympic Jove, predicted a storm. Debray, who perceived the gathering clouds, and felt no desire to witness the explosion of Madame Danglars’ rage, suddenly recollected an appointment, which compelled him to take his leave; while Monte Cristo, unwilling by prolonging his stay to destroy the advantages he hoped to obtain, made a farewell bow and departed, leaving Danglars to endure the angry reproaches of his wife.
“Excellent,” murmured Monte Cristo to himself, as he came away. “All has gone according to my wishes. The domestic peace of this family is henceforth in my hands. Now, then, to play another master-stroke, by which I shall gain the heart of both husband and wife—delightful! Still,” added he, “amid all this, I have not yet been presented to Mademoiselle Eugenie Danglars, whose acquaintance I should have been glad to make. But,” he went on with his peculiar smile, “I am here in Paris, and have plenty of time before me—by and by will do for that.” With these reflections he entered his carriage and returned home. Two hours afterwards, Madame Danglars received a most flattering epistle from the count, in which he entreated her to receive back her favorite “dappled grays,” protesting that he could not endure the idea of making his entry into the Parisian world of fashion with the knowledge that his splendid equipage had been obtained at the price of a lovely woman’s regrets. The horses were sent back wearing the same harness she had seen on them in the morning; only, by the count’s orders, in the centre of each rosette that adorned either side of their heads, had been fastened a large diamond.
To Danglars Monte Cristo also wrote, requesting him to excuse the whimsical gift of a capricious millionaire, and to beg the baroness to pardon the Eastern fashion adopted in the return of the horses.
During the evening, Monte Cristo quitted Paris for Auteuil, accompanied by Ali. The following day, about three o’clock, a single blow struck on the gong summoned Ali to the presence of the count. “Ali,” observed his master, as the Nubian entered the chamber, “you have frequently explained to me how more than commonly skilful you are in throwing the lasso, have you not?” Ali drew himself up proudly, and then returned a sign in the affirmative. “I thought I did not mistake. With your lasso you could stop an ox?” Again Ali repeated his affirmative gesture. “Or a tiger?” Ali bowed his head in token of assent. “A lion even?” Ali sprung forwards, imitating the action of one throwing the lasso, then of a strangled lion.
“I understand,” said Monte Cristo; “you wish to tell me you have hunted the lion?” Ali smiled with triumphant pride as he signified that he had indeed both chased and captured many lions. “But do you believe you could arrest the progress of two horses rushing forwards with ungovernable fury?” The Nubian smiled. “It is well,” said Monte Cristo. “Then listen to me. Ere long a carriage will dash past here, drawn by the pair of dappled gray horses you saw me with yesterday; now, at the risk of your own life, you must manage to stop those horses before my door.”