CHAPTER FIVE
The Rules of Engagement
WEDNESDAY, 15 JULY 1992
The Dodecanese Islands, Greece
And then some days you wake up and everything is perfect.
This fine bright St Swithin’s Day found them under an immense blue sky with not the smallest chance of rain, on the sun deck of the ferry that steamed slowly across the Aegean. In new sunglasses and holiday clothes they lay side by side in the morning sun, sleeping off last night’s taverna hangover. Day two of a ten-day island-hopping holiday, and The Rules of Engagement were still holding firm.
A sort of platonic Geneva Convention, The Rules were a set of basic prohibitions compiled before departure to ensure that the holiday didn’t get ‘complicated’. Emma was single again; a brief, undistinguished relationship with Spike, a bicycle repairman whose fingers smelt perpetually of WD40, had ended with barely a shrug on either side, but had at least served to give her confidence a boost. And her bicycle had never been in better shape.
For his part Dexter had stopped seeing Naomi because, he said, it was ‘getting too intense’, whatever the hell that meant. Since then he had passed through Avril, Mary, a Sara, a Sarah, a Sandra and a Yolande before alighting on Ingrid, a ferocious model turned fashion-stylist who had been forced to give up modelling – she had told Emma this with a straight face – because ‘her breasts were too large for the catwalk’, and as she said this it seemed as if Dexter might explode with pride.
Ingrid was the kind of sexually confident girl who wore her bra on top of her shirt, and although she was by no means threatened by Emma or indeed by anyone on this earth, it had been decided by all parties that it might be better to get a few things straight before the swimwear was unveiled, the cocktails were drunk. Not that anything was likely to happen; that brief window had closed some years ago and they were immune to each other now, secure in the confines of firm friendship. Nevertheless, on a Friday night in June, Dexter and Emma had sat outside the pub on Hampstead Heath and compiled The Rules.
Number One: separate bedrooms. Whatever happened, there were to be no shared beds, neither double nor single, no drunken cuddles or hugs; they were not students anymore. ‘And I don’t see the point of cuddling anyway,’ Dexter had said. ‘Cuddling just gives you cramp,’ and Emma had agreed and added:
‘No flirting either. Rule Two.’
‘Well I don’t flirt, so . . .’ said Dexter, rubbing his foot against the inside of her shin.
‘Seriously though, no having a few drinks and getting frisky.’
‘“Frisky”?’
‘You know what I mean. No funny business.’
‘What, with you?’
‘With me or anyone. In fact that’s Rule Three. I don’t want to have to sit there like a lemon while you’re rubbing oil into Lotte from Stuttgart.’
‘Em, that is not going to happen.’
‘No, it isn’t. Because it’s a Rule.’
Rule Number Four, at Emma’s insistence, was the no nudity clause. No skinny-dipping: physical modesty and discretion at all times. She did not want to see Dexter in his underpants or in the shower or, God forbid, going to the toilet. In retaliation, Dexter proposed Rule Number Five. No Scrabble. More and more of his friends were playing it now, in a knowing ironic way, triple-word-score-craving freaks, but it seemed to him like a game designed expressly to make him feel stupid and bored. No Scrabble and no Boggle either; he wasn’t dead yet.
Now on Day Two, with The Rules still in place, they lay on the deck of the ancient rust-spotted ferry as it chugged slowly from Rhodes towards the smaller Dodecanese islands. Their first night had been spent in the Old Town, drinking sugary cocktails from hollowed-out pineapples, unable to stop grinning at each other with the novelty of it all. The ferry had left Rhodes while it was still dark and now at nine a.m. they lay quietly nursing their hangovers, feeling the throb of the engines in their churning liquid stomachs, eating oranges, quietly reading, quietly burning, entirely happy in each other’s silence.
Dexter cracked first, sighing and placing his book on his chest: Nabokov’s Lolita, a gift from Emma who was responsible for selecting all the holiday reading, a great breeze-block of books, a mobile library that took up most of her suitcase.
A moment passed. He sighed again, for effect.
‘What’s up with you?’ said Emma, without looking up from Dostoyevsky’s The Idiot.
‘I can’t get into it.’
‘It’s a masterpiece.’
‘Makes my head hurt.’
‘I should have got something with pictures or flaps.’
‘Oh, I am enjoying it—’
‘Very Hungry Caterpillar or something—’
‘I’m just finding it a bit dense. It’s just this bloke banging on about how horny he is all the time.’
‘I thought it would strike a chord.’ She raised her sunglasses. ‘It’s a very erotic book, Dex.’
‘Only if you’re into little girls.’
‘Tell me one more time, why were you sacked from that Language School in Rome?’
‘I’ve told you, she was twenty-three years old, Em!’
‘Go to sleep then.’ She picked up her Russian novel. ‘Philistine.’
He settled his head once more against his rucksack, but two people were by his side now, casting a shadow over his face. The girl was pretty and nervous, the boy large and pale, almost magnesium white in the morning sun.
‘Scuse me,’ said the girl in a Midlands accent.
Dexter shielded his eyes and smiled broadly up at them. ‘Hi there.’
‘Aren’t you that bloke off the telly?’
‘Might be,’ said Dexter, sitting and removing his sunglasses with a raffish little flick of his head. Emma quietly groaned.
‘What’s it called? largin’ it!’ The title of the TV show was always spelt in lower case, lower being the more fashionable of the two cases at this time.
Dexter held his hand up. ‘Guilty as charged!’
Emma laughed briefly through her nose, and Dexter shot her a look. ‘Funny bit,’ she explained, nodding towards her Dostoyevsky.
‘I knew I’d seen you on the telly!’ The girl nudged her boyfriend. ‘I said so, didn’t I?’
The pale man shuffled and mumbled, then silence. Dexter became aware of the chug of the engines and Lolita lying open on his chest. He slipped it quietly into his bag. ‘On holiday, are ya?’ he asked. The question was clearly redundant, but allowed him to slip into his television persona, that of a really great, down to earth guy who they’d just met at the bar.
‘Yeah, holiday,’ mumbled the man.
More dead air. ‘This is my friend Emma.’
Emma peered over her sunglasses. ‘Hi there.’
The girl squinted at her. ‘Are you on television too?’
‘Me? God, no.’ She widened her eyes. ‘Though it is my dream.’
‘Emma works for Amnesty International,’ said Dexter proudly, one hand on her shoulder.
‘Part-time. Mainly I work in a restaurant.’
‘As a manager. But she’s just about to pack it in. She’s trainin’ to be a teacher in September, aren’t you, Em?’
Emma looked at him levelly. ‘Why are you talking like that?’
‘Like wha’?’ Dexter laughed defiantly, but the young couple were shifting uneasily, the man looking over the ship’s side as if contemplating the jump. Dexter decided to round up the interview. ‘So we’ll see you on the beach, yeah? Maybe get a beer or summink?’ and the couple smiled and headed back to their bench.
Dexter had never consciously set out to be famous, though he had always wanted to be successful, and what was the point of being successful in private? People should know. Now that fame had happened to him it did make a certain sense, as if fame were a natural extension of being popular at school. He hadn’t set out to be a TV presenter either – did anyone? – but was delighted to be told that he was a natural. Appearing on camera had been like sitting at a piano for the first time and discovering he was a virtuoso. The show itself was less issue-based than other shows he had worked on, really just a series of live bands, video exclusives, celebrity interviews, and yes, okay, it wasn’t exactly demanding, all he really did was look at the camera and shout ‘make some noise!’ But he did it so well, so attractively, with such swagger and charm.
But public recognition remained a new experience. He was self-aware enough to know that he possessed a certain facility for what Emma would call ‘prattishness’ and with this in mind he had been investing some private effort into working out what to do with his face. Anxious not to appear affected or cocky or a fake, he had been devising an expression that said hey, it’s no big deal, it’s only TV and he assumed this expression now, replacing his sunglasses and returning to his book.
Emma watched this performance, amused; the straining for nonchalance, the slight flare of the nostrils, the smile that flickered at the corners of his mouth. She pushed her sunglasses up onto her forehead.
‘It’s not going to change you, is it?’
‘What?’
‘Being very, very, very, very slightly famous.’
‘I hate that word. “Famous”.’
‘Oh and what would you prefer? “Well known”.’
‘How about “notorious”?’ he grinned.
‘Or “annoying”? How about “annoying”?’
‘Leave it out, will ya?’
‘And you can drop that now, please?’
‘What?’
‘The cockney accent. You went to Winchester College for Christ’s sake.’
‘I don’t do a cockney accent.’
‘When you’re being Mr TV you do. You sound like you’ve left your whelk stall to go and do this ’ere fancy telly programme.’
‘You’ve got a Yorkshire accent!’
‘Because I’m from Yorkshire!
Dexter shrugged. ‘I’ve got to talk like that, otherwise it alienates the audience.’
‘And what if it alienates me?’
‘I’m sure it does, but you’re not one of the two million people who watch my show.’
‘Oh, your show is it now?’
‘The TV show on which I feature.’
She laughed and went back to her book. After a while Dexter spoke again.
‘Well, do you?’
‘What?’
‘Watch me? On largin’ it?’
‘I might have had it on. In the background once or twice, while I’m balancing my cheque-book.’
‘And what do you think?’
She sighed and fixed her eyes on the book. ‘It’s not my thing, Dex.’
‘Tell me anyway.’
‘I don’t know about TV . . .’
‘Just say what you think.’
‘Okay, well I think the programme is like being screamed at for an hour by a drunk with a strobe-light, but like I said—’
‘Alright, point taken.’ He glanced at his book, then back at Emma. ‘And what about me?’
‘What about you?’
‘Well – am I any good? As a presenter?’
She removed her sunglasses. ‘Dexter, you are possibly the greatest presenter of Youth TV that this country has ever known, and I don’t say that kind of thing lightly.’
Proudly, he raised himself onto one elbow. ‘Actually, I prefer to think of myself as a journalist.’
Emma smiled and turned a page. ‘I’m sure you do.’
‘Because that’s what it is, journalism. I have to research, shape the interview, ask the right questions—’
She held her chin between finger and thumb. ‘Yes, yes, I believe I saw your in-depth piece on MC Hammer. Very sharp, very provoking—’
‘Shut up, Em—’
‘No, seriously, the way you got under MC’s skin, his musical inspirations, the trousers. It was, well – untouchable.’
He swatted at her with his book. ‘Shut up and read, will you?’ He lay back down and closed his eyes. Emma glanced over to check that he was smiling, and smiled too.
Mid-morning approached and while Dexter slept, Emma caught her first sight of their destination: a blue-grey granite mass rising from the clearest sea that she had ever seen. She had always assumed that water like this was a lie told by brochures, a trick with lenses and filters, but there it was, sparkling and emerald green. At first glance the island seemed unpopulated except for the huddle of houses spreading up from the harbour, buildings the colour of coconut ice. She found herself laughing quietly at the sight of it. Until now travel had always been a fraught affair. Each year until she was sixteen, it had been two weeks fighting with her sister in a caravan in Filey while her parents drank steadily and looked out at the rain, a sort of harsh experiment in the limits of human proximity. At University she had gone camping in the Cairngorms with Tilly Killick, six days in a tent that smelt of cup-a-soup; a larky, so-awful-it’s-funny holiday that had ended up just awful.
Now, standing at the railing as the town came into clearer view, she began to understand the point of travel; she had never felt so far away from the launderette, the top deck of the night bus home, Tilly’s box room. It was as if the air was somehow different here; not just how it tasted and smelt, but the element itself. In London the air was something you peered through, like a neglected fish tank. Here everything was bright and sharp, clean and clear.
She heard the snap of a camera shutter and turned in time to see Dexter take her photo again. ‘I look terrible,’ she said as a reflex, though perhaps she didn’t. He joined her, his arms holding the rail on either side of her waist.
‘Beautiful, isn’t it?’
‘S’alright,’ she said, unable to recall a time when she had felt happier.
They disembarked – the first time she felt that she had ever disembarked – and immediately found a flurry of activity on the quayside as the casual travellers and backpackers began the scramble for the best accommodation.
‘So what happens now?’
‘I’ll find us somewhere. You wait in that café, I’ll come and get you.’
‘Somewhere with a balcony—’
‘Yes, ma’am.’
‘And a sea view please. And a desk.’
‘I’ll see what I can do,’ and, sandals slapping, he strolled towards the crowd on the quay.
She shouted after him: ‘And don’t forget!’
He turned and looked at her, standing on the harbour wall, holding her wide-brimmed hat to her head in the warm breeze that pressed her light blue dress against her body. She no longer wore spectacles, and there was a scattering of freckles across her chest that he had never seen before, the bare skin turning from pink to brown as it disappeared below the neckline.
‘The Rules,’ she said.
‘What about them?’
‘We need two rooms. Yes?’
‘Absolutely. Two rooms.’
He smiled and headed off into the crowd. Emma watched him go, then dragged the two backpacks along the quay to a small, wind-blown café. There she reached into her bag and pulled out a pen and notebook, an expensive, cloth-bound affair, her journal for the trip.
She opened it on the first blank page and tried to think of something she could write, some insight or observation other than that everything was fine. Everything was fine, and she had the rare, new sensation of being exactly where she wanted to be.
Dexter and the landlady stood in the middle of the bare room: whitewashed walls and cool stone floor, bare save for an immense iron-framed double bed, a small writing desk and chair and some dried flowers in a jar. He walked through louvred double-doors onto a large balcony painted to match the colour of the sky, overlooking the bay below. It was like walking out onto some fantastic stage.
‘You are how many?’ asked the landlady, mid-thirties, quite attractive.
‘Two of us.’
‘And for how long?’
‘Not sure, five nights, maybe more?’
‘Well here is perfect I think?’
Dexter sat on the double bed, bouncing on it speculatively. ‘But my friend and I we are just, well, just good friends. We need two rooms?’
‘Oh. Okay. I have second room.’
Emma has these freckles that I’ve never seen before scattered across her chest just above the neckline.
‘So you do have two rooms?’
‘Yes, of course, I have two rooms.’
‘There’s good news and there’s bad news.’
‘Go on,’ said Emma, closing her notebook.
‘Well I’ve found this fantastic place, sea view, balcony, a bit higher up in the village, quiet if you want to write, there’s even a little desk, and it’s free for the next five days, longer if we want it.’
‘And the bad news?’
‘There’s only one bed.’
‘Ah.’
‘Ah.’
‘I see.’
‘Sorry.’
‘Really?’ she said, suspiciously. ‘One bedroom on the whole island?’
‘It’s peak season, Em! I’ve tried everywhere!’ Stay calm, don’t get shrill. Maybe play the guilt card instead. ‘But if you want me to carry on looking . . .’ Wearily he made to get up from the chair.
She put her hand on his forearm. ‘Single or double bed?’
The lie seemed to be holding. He sat again. ‘Double. A big double.’
‘Well it would have to be a pretty massive bed though, wouldn’t it? To conform to The Rules.’
‘Well,’ Dexter shrugged, ‘I suppose I prefer to think of them as guidelines.’
Emma frowned.
‘What I mean, Em, is I don’t mind if you don’t.’
‘No, I know you don’t mind—’
‘But if you really don’t think you can keep your hands off me—’
‘Oh, I can manage, it’s you I worry about—’
‘Because I’m telling you now, if you lay one finger on me