Figure 143: The shape of the Universe says ‘ground-breaking’ scientific study published in 2019. The torus nature of the Universe was in my books long before.
Figure 144: The front cover of my book Tales From The Time Loop published in 2003 which portrayed our reality as a torus ring passing through an illusory looped sequence of ‘time’.
Figure 145: The torus in the human eye.
Figure 146: The Large Hadron Collider at CERN in Switzerland.
Figure 147: The Cern ring, or rings, remind me of a mini-version of the simulation.
Scientists announced the results of a ‘paradigm-shifting’ study in 2019 that found the Universe to be a closed loop in the shape of a torus or doughnut. Eleonora Di Valentino at Manchester University led an international team of astronomers studying data from the European Space Agency’s Planck satellite. They concluded that the Universe is a curved, closed and inflating sphere. Di Valentino called the findings a ’cosmological crisis’ that warrants a ’drastic rethinking of the current cosmological concordance model’. What kept them? I have written in previous books about the Universe being a closed loop shaped like a doughnut or ‘torus’ (Fig 143 ). I even named one book, published in 2003, Tales from the Time Loop , with the torus simulation symbolised on the cover (Fig 144 ). A torus can also be found in the human eye – as above, so below (Fig 145 ). The Universe is a closed loop because it’s a simulation within the frequency band of ‘the speed of light’. It is a wavefield construct decoded into a holographic closed loop which can be breached only by consciousness expanded beyond Body-Mind. You can liken this ‘loop’ to the Large Hadron Collider, the world’s most powerful particle accelerator, at the European Organization for Nuclear Research (CERN) in Switzerland (Fig 146 ). I address what this multi-billion operation is really about in Everything You Need To Know and it’s not the reason they’re telling us. The Collider is a ring tunnel or tube of superconducting magnets that extends for 17 miles hundreds of feet below ground across the Swiss-French border. Proton particles (waves) travel within the ring at the speed of light in both directions to crash into each other. Protons complete 11,245 circuits of the ring every second (Fig 147 ). It’s a long story why they do this which I tell in Everything . I mention the Hadron Collider here as a visual representation of the torus universe. Imagine being within that enclosed tube circuit while not knowing it was enclosed and decoding the circulating energy/information into a holographic world completely different to the tube as it would otherwise appear in an undecoded state. You would think that time was moving ‘forward’ when you were really in a loop. Where you were in the loop you would call the present and from that you would perceive ‘past’ and ‘future’. Human reality is actually a cycle in the NOW. The image symbolising this in Figure 148 overleaf is from my Human Race Get Off Your Knees published in 2010. It is my contention that universal cycles such as the Great Year (nearly 26,000 years), Hindu Yugas or epochs, and the Mayan calendar of distinct periods or ’counts’ are measuring cycles of the simulation program. Some researchers have identified points in these cycles when global catastrophes have happened many times which deleted most of what existed before along with knowledge of what life was like. ‘Known’ human history is a fraction of what has happened and fantastic ancient structures that we would struggle to build today are evidence that the apparent upwards progression from primitive people to the modern world is a fantasy. A simulation with ‘rebooting’ points would be a major way to isolate humanity in perceptual illusion.
Figure 148: The Time Loop ‘universe’ which we decode into illusory ‘physical’ reality and experience as the ‘human world’.
‘I am of the Light.’ Okay, but which Light?
Figure 149: I have seen the wrong kind of light.
Figure 150: The pyramid and all-seeing eye symbol of the Cult on the dollar bill as well as the reverse of the Great Seal of the United States and endless other guises.
Figure 151: The Statue of Liberty was given to New York by French Freemasons in Paris who knew what it really represented.
Figure 152: A mirror of the Statue of Liberty on an island in the River Seine in Paris.
This background explains many mysteries and indicates the knowledge hidden within the Cult. When people worship ‘the light’ they are worshipping their own perceptual prison (Fig 149 ). We can further understand why one of the hero ‘gods’ of the Cult is Lucifer, the Light Bringer. Yes, the bringer of the simulation . ‘Lucifer’ is portrayed as a ‘Fallen Angel’ – the Biblical term to describe the non-human force that manipulates through its hybrid human/non-human lackeys (the Cult Nephilim bloodlines) operating within the simulation along the lines of Agent Smith and company in The Matrix movies. If you have not seen the Matrix trilogy it is recommended – especially the first one – to get a feel for what our reality is and how we are manipulated. ‘Fallen Angel’ by my definition means those who have closed their heart centres to a connection with The One and now seek to do the same with humanity to assimilate human Body-Mind awareness into their own. This is what smart technology and artificial intelligence is really all about as we shall see. The so-called Lucifer ‘revolt against God’ is said to have followed his refusal to ‘return God’s love’ (closed heart centre) and set out to be ‘as powerful as his creator’. ‘Lucifer’ is also referred to as Satan and the Devil which are described in the Bible in reptilian terms as with the ‘Great Dragon’ and ‘that ancient serpent’. In turn Cult bloodlines are human-reptilian hybrids that worship their hidden masters through Satanism . I expose in The Trigger the Sabbatian-Frankism network within the Cult that was really responsible for 9/11. This aspect of the Cult is named after its inspirations, Sabbatai Zevi (1626-1676) and Jacob Frank (1726-1791), as I mentioned earlier. Sabbatian-Frankism hates Judaism and Jewishness and yet has manipulated itself into control of Israel and its global nexus while the great majority of Jewish people have no idea Sabbatian-Frankism even exists. We have the familiar theme of Lucifer worship with Jacob Frank who said Lucifer is the true god. The Kabbalah, or Kabala/Cabala, the Jewish bible of mysticism and esoteric belief, is the holy book of Sabbatian-Frankists and in particular the series of works called the Zohar which means ‘splendour’ and ‘radiance’ (light). From this came the concept of being ‘illuminated’ (kundalini activation) and the name of a highly significant grouping within the Cult known as the ‘Illuminati’ with its symbol of the ‘all-seeing eye’ which you see on the dollar bill and the reverse of the Great Seal of the United States (Fig 150 ). This elite satanic secret society was established in 1776 by three Sabbatian-Frankist cultists, Jacob Frank, Meyer Amstel Rothschild, founder of the Rothschild (Redshield/hexagram/Saturn) financial dynasty, and its frontman, Jesuit-trained fake ‘Jew’ Adam Weishaupt. The theme of Lucifer the Light Bringer (simulation) is widely on public display if you know what to look for and one example is the Statue of Liberty holding the lighted torch of ‘illumination’. The statue was given to New York by French Freemasons in Paris who knew the true meaning and a mirror image ‘Liberty’ stands on an island in the River Seine in the French capital (Figs 151 and 152 ). Freemasonry worships Lucifer as the ‘Great/Grand Architect of the Universe’ – the architect of the simulation. The same symbolism of the ‘Architect’ can be found in the Matrix movies which portrays him as the one who built the Matrix. You’ll find all the fine detail on these subjects and so much more in Everything You Need To Know.
Simulation science and numbers
Figure 153: Binary codes of 0 and 1 representing on-off electrical charges in computer systems.
Figure 154: The A, C, G and T codes of DNA which also have binary values.
Figure 155: The digital codes of the Matrix portrayed on computer screens in the movie series.
Figure 156: The physics and mathmatics of video games and virtual reality is the same as our experienced reality.
Another mainstream scientist who has pursued evidence for a simulation is James Gates, an American theoretical physicist who has been Professor of Physics at the University of Maryland, Director of The Center for String and Particle Theory, and served on the Council of Advisors on Science and Technology to President Obama. A Gates-led team discovered computer codes of digital data embedded in the energetic fabric of our reality which take the form of 1 and 0 – the binary system used in computers of on-off electrical charges which looks so similar to codes of the Matrix in the movies and the A, C, G, and T codes that make up DNA and also have binary values (Figs 153 and 154 ). These codes and their relationships with each other decide what the ‘physical’ form looks like. Differences in coding between a human and rat are marginal yet their form is fundamentally different. DNA codes have digital binary values of A and C = 0 and G and T = 1. DNA code sequences look like binary number coding and the numbers on the computer screens in the Matrix movie series depicting the digital basis of the reality simulation (Fig 155 ). James Gates said they had no idea what digital computer codes were doing in the fabric of our reality, but this can be explained if we are dealing with a simulation. The Gates team also found error-correcting codes or block codes within the energetic fabric of reality. These are mathematical sequences employed in computers that return data to its original state or ‘default settings’ when something knocks it out of kilter. They would be necessary to hold the simulation together in the face of forces impacting upon it. Gates said they found a set of equations embedded in reality that were indistinguishable from those that drive search engines and browsers. The Internet and digital technology in general are actually mimicking the simulation to create a simulation within a simulation and enslave human Body-Mind in more extreme states of illusion and isolation than even the main simulation itself. I have said already that one level of our reality – the simulation – is digital and that the ‘physical’ world from the Universe downwards consists of digital holograms. Numerology reads reality at this level of numbers and Max Tegmark, a physicist at the Massachusetts Institute of Technology (MIT), said: ‘The Universe can be entirely described by numbers and maths.’ Tegmark, author of Our Mathematical Universe , says reality is encoded with numbers and mathematics in the same way as computer games and the physics of our reality and computer games are basically the same (Fig 156 ). He compares human experience with characters in advanced games. The characters would think because of the software codes that they were bumping into real objects, falling in love and feeling emotions. Eventually they might study the workings of the game more deeply and realise that everything (as with our reality on one level) was made of pixels. They would see that what they thought was ‘physical’ was in fact just numbers. Tegmark then relates this to human reality:
And we’re exactly in this situation in our world. We look around and it doesn’t seem that mathematical at all, but everything we see is made out of elementary particles like quarks and electrons. And what properties does an electron have? Does it have a smell or a colour or a texture? No! … We physicists have come up with geeky names for electron properties, like electric charge, or spin, or lepton number, but the electron doesn’t care what we call it, the properties are just numbers.
Figure 157: The Fibonacci number sequence can be found throughout our reality.
Everything these scientists are uncovering is what you would expect to see if we live in some sort of simulation. There is also the ancient concept of ‘divine proportion’ which is the term given to mathematical and geometrical sequences found throughout our reality, the ‘natural’ world and the human body (holographic as above, so below, once again). Initiates of the hidden knowledge understood these sequences and gave them names such as Phi, Pi, Golden Mean, Golden Ratio and Golden Section. They encoded them into their temples, cathedrals and important buildings to attract – entangle – with particular energies/information and frequencies to connect them with ‘God’, or ‘the gods’. Artists like the initiate Leonardo Da Vinci encoded these proportions or ratios into their paintings. Da Vinci was so ‘ahead of his time’ because he understood reality by tapping into awareness outside the simulation and he would have had close associations with secret societies. The number of Golden Ratio is 1.61803398874989484820 … which then goes on repeating indefinitely. Golden Ratio proportion comes from ‘dividing a line into two parts so that the longer part divided by the smaller part is also equal to the whole length divided by the longer part’. Put simply it is a sequence that can be found everywhere and is obviously there by design and not chance. Another ubiquitous sequence is the Fibonacci number code which was identified at least in ancient India by a mathematician called Virahanka, but gets its name from the 12th/13th century Italian mathematician Fibonacci also known as Leonardo of Pisa. The Fibonacci sequence adds the two previous numbers to get the next one, as with … 1, 1, 2, 3, 5, 8, 13, 21, 34, 55, and so on. The higher it goes the closer it gets to the Golden Ratio. The Fibonacci sequence is encoded in everything from the human face and body to animals, DNA, seed heads, pine cones, trees, shells, spiral galaxies, hurricanes and the number of petals in a flower (Figs 157 and 158 ). Then we have fractal patterns encoded in the fabric of reality and once again they are everywhere. Fractals are a ‘never-ending pattern that is infinitely complex and self-similar across different scales’ – the as above, so below, characteristics of holograms (Figs 159 and 160 ). Fractal patterns can be found in:
