Nemirovsky isn’t wrong, Alkaitis thinks later, while he’s jogging around the recreation yard. Money is a game he knew how to play. No, money is a country and he had the keys to the kingdom.

He doesn’t tell Julie Freeman this, but now that it’s much too late to flee, Alkaitis finds himself thinking about flight all the time. He likes to indulge in daydreams of a parallel version of events—a counterlife, if you will—in which he fled to the United Arab Emirates. Why not? He loves the UAE and Dubai in particular, the way it’s possible to live an entire life without going outdoors except to step into smooth cars, floating from beautiful interior to beautiful interior with expert drivers in between. He was last there in 2005, with Vincent. She seemed enchanted by the opulence, although in retrospect it’s begun to occur to him that she may have been acting at least part of the time. She had a significant financial stake in maintaining the appearance of happiness. Anyway. In the counterlife, the hours surrounding the holiday party are very different. When Claire comes to see him in the office on the day of the holiday party, he deflects her. He pretends he doesn’t know what she’s talking about, maintains this air of polite bafflement until she gives up and leaves. He isn’t above a little gaslighting, if that’s what it takes to stay out of prison. In the counterlife, he confesses to nothing. He does not crack. That night he goes with Vincent to the holiday party, and when they leave together, they both return to the pied-à-terre. He kisses her good night as if everything were perfectly normal, revealing nothing of his plans. He stays up when she goes to sleep, drinks some coffee and makes his preparations, stares out at the dark ocean of Central Park and the lights beyond, memorizing a view that he’ll never see again. He waits through the night for the window washers, who rise up the sheer wall of the tower on their suspended platform at dawn.

It’s early in the morning, first light over the park, and they don’t recognize him. Why would they? Over the course of the night he’s given himself a buzz cut, he’s wearing dark glasses and a baseball hat, and—crucially—he’s dressed all in white, just like them, his gym bag slung over his shoulder. He opens the window and speaks with them. “Could I get a ride down to the street?” he asks. They refuse at first, naturally, but he has $5,000 in cash in the pied-à-terre and he gives it all to them, throws in two bottles of an exquisite Grand Cru Classé from his favorite château in Bordeaux and then Vincent’s diamond bracelet and earrings—she’s in the bedroom, still asleep—and persuades them: He just wants a ride down to the street. That’s all. It’ll be over in a few minutes. No one will know. It’s a lot of money and the best wine they’re ever going to drink.

Who are they? It doesn’t matter. A and B. Let’s say they’re young guys who don’t know any better, or they know better but let’s say they have kids to feed. Window washing, that can’t be a particularly well-paying job, unless ascending the glass curtain walls of high-rises is one of those jobs that’s so terrifying no one wants to do it? Anyway, who cares, either way it’s a lot of money, so let’s say they take it. Alkaitis climbs out into the cold, and on the slow descent to the sidewalk, A and B are quiet and respectful, he senses that they’re admiring his forethought in dressing like them—not exactly like them, window washers don’t wear dress shirts, but enough like them that from any distance it’s just three men in white on a suspended platform, an everyday sight in the glass city, and by now the rising sun is reflecting off the tower so no one can look directly at them anyway, because that’s how brilliant his plan is, they descend in the glare and he climbs out and thanks them and hails a taxi to the airport. A few hours later he’s on a flight to Dubai, first-class obviously, in one of those reclining seats that are actually more like a private pod with bed and television. In the counterlife, he reclines the seat flat over the Atlantic and falls into a blissful sleep.

In FCI Florence Medium 1 the lights go on, the alarm for the three a.m. count blaring, and he gets out of bed, neither awake nor asleep, putting on his slippers in an automatic movement, still halfway somewhere else, Hazelton stumbling out of bed across from him. In the counterlife, he is never arrested, let alone sentenced, let alone subject to head counts. (Guards yelling in the corridor—“get up get up get up”—and then one stops in the doorway with his little clicker, and after a few minutes the count is over and it’s possible to go back to bed.) In the counterlife, he transfers all his money into the secret offshore accounts, out of the hands of the American government. By the time his daughter calls the FBI, he’s out of reach. Dubai has no extradition treaty with the United States.

He has enough money to live in Dubai indefinitely, in tranquility, in the cool interiors and the brutal heat. Hotel, or villa? Hotel. He’ll live in a hotel and order room service forever. Villas are a staffing headache. He’s had enough of staff.

“I’d like to ask about your daughter,” Julie Freeman says at their second meeting.

“I’m sorry,” he says, “but I’d prefer not to talk about her. I think Claire deserves her privacy.”

“Fair enough. In that case, I’d like to ask you about your wife.”

“Do you mean Suzanne, or Vincent?”

“I thought I’d start with Vincent. Does she visit you here?”

“No. Actually, I…” He isn’t sure it’s wise to continue, but who else can he ask? His only visitors are journalists. “Would you stop taking notes, please, just for a moment?”

She sets her pen on the table.

“This is embarrassing,” he says, “and I’d appreciate it if you’d keep this off the record, but do you know where she is?”

“I’ve been looking for her myself. I’d love to talk to her, but wherever she is, she’s keeping a low profile.”

Maybe the descent down the tower with the window washers is a little overdramatic. He could just as easily have kissed Vincent good night after the holiday party, told her he had to go get drinks with an investor and that she shouldn’t wait up for him; he could’ve sent her home in a car while he fled the country. No, he would have had to go back to Greenwich for his passport. Well, if he can rewrite history so that he fled the country, surely the passport isn’t an impediment. In the counterlife, maybe he’s the kind of person who keeps his passport on his person at all times. He kisses Vincent good night and hails a taxi to the airport.

In the counterlife, Claire visits him in Dubai. She is happy to see him. She disapproves of his actions, but they can laugh about it. Their conversations are effortless. In the counterlife, Claire isn’t the one who called the FBI.

Claire has never visited him in prison and will not take his calls.

He wrote Claire a letter his first month in prison, but she responded only with two pages of trial transcript, from the initial hearing where he had to keep saying guilty over and over again. He remembers standing there and repeating the word, nauseous, sweat trickling down his back. On the page it looks strange and fragmented, like bad poetry or a script.