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house, we’d had no miracles whatever” (p. 257). Discuss the truth and falsehood of this remark. How might Roxanna herself be seen as a miracle?

12. What does the character of Roxanna bring to the Land family? What does she provide that the Lands had lacked before her arrival? Over the course of the novel, Reuben’s attitude and his physical descriptions of Roxanna change. In what ways does it change, do you think Roxanna’s attitudes toward the Lands as a family and Jeremiah as a person undergo a similar metamorphosis.

13. In “Be Jubilant, My Feet,” the next-to-last chapter, Reuben and Jeremiah enter a world beyond this one. “Here in the orchard,” our hero recalls, “I had a glimmer of origin: Adam, I thought” (p. 301). Where exactly are Reuben and his father? What happens to them? How have these crucial events been foreshadowed, and how are they new or unprecedented?

14. Much of this novel concerns the inner life of childhood: imagination, storytelling, chores, play, and school life. Discuss the author’s portrayal of childhood. Do the children depicted here seem realistic? Why or why not?

15. Remembering his own childhood, author Leif Enger recently noted: “I grew up squinting from the backseat at gently rolling hills and true flatlands, where you could top a rise and see a tractor raising dust three miles away. So much world and sky is visible, it’s hard to put much stock in your own influence.” Does this type of relationship between the individual and the natural world appear in Peace Like a River? If so, where? Identify key passages or scenes where the characters seem inferior to the landscape, or even at the mercy of it.

16. Finishing his story, Reuben notes: “You should know that Jape Waltzer proved as uncatchable as Swede’s own Valdez” (p. 309). What do the characters of Jape and Valdez represent in this novel? Conclude your discussion by comparing and contrasting Peace Like a River with the traditional morality play—the symbolic drama (dating back to medieval times) based on the eternal struggle between Good and Evil.

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